I am actually screaming, crying, and throwing up, as I have just watched the 10-episode countdown to yes (11 if we count the epilogue)! I am now in my Wataru and Minato protection era. This Japanese BL series is a live-action adaptation of the manga of the same name.
Three Years of Pining and a Shared Apartment
The j-drama follows Wataru (Amemiya Kakeru), a literal angel who always has his camera with him and has a huge crush on his best friend. During his high school and university years, he could never live without Minato (Yoshizawa Kaname), but the overwhelming burden of his unrequited love caused him to ghost Minato after he graduated for three years.
Then, Minato comes back to their hometown to work and throws the deadliest line in J-BL history: Why don’t we live together again? He is a man of zero chill and uncompromising character. He relocates to the neighbourhood of Wataru, and the domestic tension is off the scale. It is wild, it is unkempt, and I loved every minute of the inner screaming!
Yoshizawa Kaname is the most stoic king, and with the help of little things, such as fixing a camera, purchasing favorite snacks, and being present in general. Every time he glances at Wataru, with those piercing, heavy eyes, I feel tingling. Minato has clearly also been in love with Wataru this entire time.
Amemiya Kakeru is a complete weeping queen on the other side. My heart literally comes out of my chest when he shivers at the thought that he is overstepping the line of friendship. He is so innocent and fears the loss of the only person who matters. His acting shows a particular type of panic of a best friend, where each unintentional touch seems to be a lightning strike. He is 110 percent star-crossed lover level, and I am addicted to his story!
The Yogurt, The Camera, and The Domestic Bliss
The intermediate scenes, like in the tiny symbolic details of ‘Welcome Home’ in episode 4, are a 10/10 show of pining. The found family aura of them living together once more is so tender yet so angst-filled. It is also humorous and pathetic that Minato is huffy and clingy when he feels jealous, and I loved the chaos. The show works with photography as a beautiful metaphor. Wataru is constantly gazing at pictures of Minato through the window of his mind because he is too frightened to look at the actual person.
The main plot concerns two adult people with years of past, who are scared of a no. The J-drama avoids wacky comedy and instead plays into the silent and somber scenes of revelation. As they both dissolved in each other once more, I got the hint that this is not a roommate scenario but a soulmate quest!
Minato was 100% the one who was the most pining all along, and I have the receipts to prove!
While Wataru was busy ghosting and playing a weeping queen in some other city, Minato was literally standing around…waiting. He did not move on— he did not find another love interest. He moved back to their hometown with the express purpose of looking for Wataru. He phrases out the live together line like it is an ordinary Tuesday, when you know in his mind he has been practicing living together for 1,095 days!
The domesticity in this show is a 10/10 master work of implied love. Minato is a stoic king, and his behavior is 110 percent I love you intensity.
He is fully aware of what Wataru likes. Not only is it more than just roommate behavior to buy that particular yogurt and ensure that the fridge is full, but it is a declaration of ownership over the life of Wataru!
Eventually, when Minato gives in and embraces Wataru, it is an utterly beautiful scene of complete submission. It is the voice of a man who has taken three years to let out his breath. He is not merely pleading for the proposal; he is pleading with Wataru not to continue running away to the one man who has always been the place where he can stay safe.
An Excellent Masterpiece
Its cinematography is a complete masterpiece that has a healing aesthetic that shows each frame through the eyes of the camera that Minato uses. It is the massive emotional payoff that gives a direct and affirmative yes to the suggestion. It is a disturbingly beautiful affirmation of why we risk so much on behalf of our loved ones. It is high angst, and I savored every minute of the pain! The ending was happy, but it was not the ‘lived happily ever after’ type ending. Rather, it was more grounded and realistic, which showed two adults trying to figure out life as they come to terms with their feelings.
Countdown to Yes is a must-watch show for the fanatical fans such as me. It is a drama about the safety of a best friend and the excitement of a lover, and I will be rewatching those ‘yogurt’ scenes until I faint!
Drama Info & Ratings
- Title: Countdown to Yes
- Episodes: 11
- Genre: Comedy, Romance, Life
- Main Cast: Yoshizawa Kaname,
Amemiya Kakeru - Where to Watch: GagaOOLala
- Overall Score 9/10
- Story 8.5/10
- Acting 9/10
- Cinematography 10/10
- Rewatch Value: 9/10
Check Out: “Love Begins in the World of If” Review
